We Need to Talk About Kevin by Lionel Shriver
The gripping international bestseller about motherhood gone awry.
Eva never really wanted to be a mother - and certainly not the mother of the unlovable boy who murdered seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevins horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
We Need to Talk About Kevin
Here, the family is not the gently glowing space where parents find the meaning in their lives, mothers do not always bond with their children, but teenagers—they kill other teenagers. We Need to Talk About Kevin. Courtesy of Oscilloscope Laboratories. What provokes discomfort is, rather, her very capacity to do so. Eva is persecuted—her property is covered in red paint, she is struck in the street—as if she, rather than her son, was really responsible for the atrocity.
That trite phrase is accurate in an almost technical sense: Ms. Tilda Swinton , who plays the anguished mother, is far too specific a screen presence to be an easy audience surrogate.
We Need to Talk About Kevin is a psychological thriller tragedy film       directed by Lynne Ramsay , and adapted from Lionel Shriver 's novel of the same title. A long process of development and financing began in , with filming commencing in April Tilda Swinton stars as the mother of Kevin, struggling to come to terms with her son and the horrors he has committed. It received generally positive reviews from both critics and audiences alike. Teenager Kevin Khatchadourian is in prison after committing a massacre at his high school. His mother, Eva, once a successful travel writer , lives alone in a rundown house and works in a travel agency near the prison, where she visits Kevin.
W hat happens when bad children happen to good parents? Does it mean they are not, in fact, as good as they had imagined themselves to be? With these questions, British director Lynne Ramsay has created a nihilist tale of guilt and horror. Working with co-writer Rory Kinnear, she has adapted Lionel Shriver's prizewinning novel — whose much-spoofed title is now part of the language — about a woman whose teenage son Kevin has committed a Columbine-style massacre. This adaptation raises a subject which has eluded other films on the same subject, such as Gus Van Sant's Elephant or indeed Michael Moore's documentary Bowling for Columbine: the subject of the aftermath. Kevin cannot be tried as an adult.
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